Best Audio-Technica AT-LP5 Black Friday Deals and Sales 2021

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If you wish to sit back and revel in new vinyl releases on a solid, audiophile deck, or in the event that you need a reliable, accurate playback system for ripping your old records to digital files, then this technique aims to please on both counts.

The AT-LP5 includes a J-shaped tonearm (a lot more adept when compared to a straight arm at reducing tracking errors, it’s claimed) and outputs either via phono, line stereo or USB. It’s a direct-drive turntable with a cast-aluminium platter and comes ready-fitted with the AT95EX Dual Moving Magnet cartridge (available exclusively upon this model) mounted on a lightweight headshell, the AT-HS10, using its very fetching gold-plated connections.

With a reassuringly minimalist design (and a good, thick 5mm composite rubber mat), 33 1/3 and 45 RPM speeds are selected with a combined power/stop knob on leading left.

To place the LP5 through its paces, we combined it with a tried-and-tested amp, the Brio 3 from Rega. Outweighing the turntable on price (it will come in at £598), the Brio 3 put this deck on the best sonic pedestal available – plainly a long way off from simply plugging the USB output into your laptop.

Likewise, instead of listening back through computer speakers or headphones, we treated it for some very complementary speakers in the sort of some Classic 2s from the team at Essen’s ALR Jordan – and we were holding given some room to breathe viaa couple of very striking RS 203 stands by Custom Design.

We used the Rega amp to check the Planar 3 turntable in Issue 2, but this time around, I took an instant to relax and use an attribute I overlooked last timeand benefit from the handy remote control to trigger its powered, motor-driven volume knob.

Torque talk
The initial thing that struck me concerning this deck was the high torque of the drive belt. With a company twist of the start/stop knob, the turntable was up to date almost straight away. A very important factor I did so notice, though, was that it is pretty a microphonic deck, so that it amplified my (rather significantly less than gentle, I must admit) thudding of the arm lever when I lowered the tonearm right down to play my first test disc: though it must be said that the quantity was up high and it had been noticeable only on the intro’s silent grooves. When I tried to reproduce the sound when going inland on another of the test discs, it had been, of course, totally absent.

I dispensed with the included-as-standard Perspex cover and quickly found this to become a reassuringly heavy, nicely engineered deck. It’s a fascinating stay-at-home dad, when compared to refusing-to-grow-up uncle that’s Audio-Technica’s more DJ-focused AT-LP120. They’re virtually identical price-wise and, for a comparison to other vendors, this deck sits right between Rega’s Planar 1 and Planar 2.

Both test discs we used because of this review couldn’t have already been been more different and were plucked from the Long Live Vinyl office collection, with the LP5’s two main uses at heart. So, for latter-day audiophiles, a brand-new reissue of the 12″ of Prince’s Raspberry Beret; and for archive rippers, an extremely well-loved (ie, tremendously scratched and crackly) original edition of Stevie Wonder’s Hotter Than July, aka ‘The One With Happy Birthday’.

Raspberry Beret is among a complete stack of reissued Prince vinyl that’s result from Warner Music this season. Last month, the label not merely gave us this, but also very accurate replicas of the 12″ editions of Let’s Pretend We’re Married, U Got THE APPEARANCE, Cream, EASILY Was Your Girlfriend and Kiss.

Uncredited, but remixed by Prince himself, the 6:36 New Mix (not 7:25 as explained on the artwork, one replicated upon this reissue) has a large amount of space and room to breathe around all of the instruments and sections, in that which was an intentionally dense and psychedelic original. And the LP5 conveys all of this with aplomb.

And think about the Stevie Wonder disc? Spectacular, actually, with strings and snares presented to the fore. The vinyl was covered in scratches and deterioration from through the years, however the AT-LP5 handled it surprisingly well, letting the crackles take a seat on the surface of the music, almost sonically separating it out. My enjoyment of the album’s highlight – Master Blaster right away of Side Two – wasn’t spoilt one jot and, with the bundled Audacity software that is included with this turntable, you have to be able to tidy up, de-pop and de-hiss a recording of something like this {qui

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Black Friday Deals and Cyber Monday Sales Discount 2020
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