Canon has created a fantastic camera that makes an advisable upgrade from the 70D. It’s well-built with sensibly arranged controls, has good ergonomics and an comprehensive feature set, and will be set up to fit your shooting style. Most of all, the image quality is excellent with plenty of detail. Black Friday is here to give you best deals & offers for your products.
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UPDATED: The EOS 80D from Canon is supposed for dedicated enthusiast photographers, a demanding group of folks who want to have the ability to shoot a huge selection of subjects in a number of conditions. The camera includes a 24-million-pixel sensor plus a DIGIC 6 processing engine; a combo that brings a native sensitivity selection of ISO 100-16,000 – a complete one-stop greater than the 70D – that you can expand to ISO 25,600 (exactly like the 70D). Despite the fact that the EOS 80D premiered back 2016, it’s still arguably the very best Canon camera for enthusiasts and anyone upgrading from a cheaper model. Although you need to be aware that there is currently a more-recent Canon EOS 90D to consider.
• Canon EOS 90D vs 80D vs 7D Mark II
The utmost continuous shooting rate is equivalent to the 70D’s at 7fps, however the burst depth has been risen to 110 JPEGs or 25 raw files whenever a UHS-1 SD card can be used. That’s a significant intensify from the 65 JPEG or 16 raw files possible with the 70D.
Modern DSLRs have two autofocus systems: one for with all the camera conventionally (in reflex mode), where images are comprised in the viewfinder; another for use in Live View and video mode.
Canon has improved both these systems for the 80D in comparison to the 70D. The reflex mode system, for example, has 45 AF points, which are cross-type, whereas the 70D has 19 points.
Additionally, it may use colour information from the 7,560-pixel RGB+IR (infrared) metering sensor to greatly help with subject tracking. This and the increased burst depth makes the 80D more appealing to keen sport and action photographers.
Embracing the Live View and video autofocus system, the 80D uses Dual Pixel CMOS AF technology just like the 70D, this means it has phase detection points on the imaging sensor itself. The brand new system is more sensitive and faster compared to the one in the 70D, but because fast autofocusing often isn’t desirable when you’re shooting video, it’s possible to alter the speed of the 80D’s system over seven steps for slower focus changes.
Canon gives touch-control over both the key and Quick Menus, and it could really increase use. The Quick Menu is quite useful, providing a speedy path to probably the most commonly used features. It could be nice, however, if this is customisable in order that it only contained the features you utilize on a frequent basis.
Although the 80D’s screen is great, the viewfinder continues to be the more natural option for some photographers to use when shooting stills, particularly if the topic is moving. This also offers a bright view – and unlike the 70D’s viewfinder, which only covers 98% of the lens field of view, the 80D’s covers 100%. Which means there are fewer surprises around the edge of the frame when you review your shots.
Within an update on the 70D, it’s possible to choose the Creative Filter mode via the 80D’s mode dial. When that is selected, among 10 filter effects could be put on JPEG images because they are shot. If you’re shooting raw files or raw+JPEG files, the camera switches automatically to shooting just JPEGs. Although it’s possible to use Creative Filters when composing images in the viewfinder, their impact can only just be previewed on the key screen in Live View mode.
The 80D’s 24.2MP sensor makes a 25% upsurge in pixel count over the 70D’s, and it permits the new camera to produce a significant step up at length resolution in most of the sensitivity range lacking any increase in the amount of noise. It’s noticeable, however, that at ISO 12,800 the 80D scores reduced our resolution tests compared to the 70D. However, when the default degrees of noise reduction are applied, images shot as of this sensitivity setting (and at ISO 16,000) look good.
Noise is manipulated well and even though some detail is lost, there’s no clear smearing. We’d advise caution with the uppermost setting of ISO 25,600, because some areas have hook haze and lack detail when images are in around A4 size. But that’s why this value can be an expansion setting: Canon helps it be designed for use if it’s really needed, but doesn’t consider the image quality totally satisfactory.
Despite the suprisingly low light, the camera could focus, and noise is manipulated well for ISO 16,000
Canon has given the 80D a substantially better autofocus (AF) system for use with the viewfinder compared to the 70D, therefore i was keen to place it to the test. It didn’t disappoint, getting stationary subjects sharp super fast and keeping fast-moving subjects sharp, even in low light.
I attempted the AF point selection modes when shooting skateboarders in the gloomy conditions of London’s Undercroft skate park, and discovered that the 45-point Automatic Selection option is pretty capable, probably along with the new colour detection system. Single-point AF (Manual selection) mode also worked well provided I possibly could keep carefully the active point over the topic. That’s easier in theory when you’re shooting skateboarders, who are inclined to jumping, twisting and turning, and I had greater success with all the Zone AF mode.
In this mode, the 45 AF points are grouped into nine zones and you decide on the most likely zone to use prior to starting to shoot. The camera then tracks the topic using the AF points within that zone. It’s an excellent option for moving targets and you start to see the points light up because they activate, providing you confidence that your images will be sharp. It’s not 100% fool-proof but I acquired a higher hit rate, and it’s more reliable than 45-point Automatic Selection mode.
In continuous autofocus mode, the 80D kept this skateboarder sharp easily as he moved over the frame and towards the camera
The Live View and Video mode AF system can be good. It’s fast enough to shoot stills of moving subjects in a few situations, however the viewfinder system is more reliable. The Dual Pixel CMOS AF system’s focus shift is smooth enough to be usable when shooting video, nonetheless it is dependent after the shooting scenario and speed of movement.
In reflex mode the 80D uses the same metering system as the 750D and 760D, this means there’s a 7,560-pixel RGB+IR (infrared) sensor and 63-zone Evaluative, Partial, Centre-weighted and Spot metering options. The evaluative system is great, but the weighting put on the active AF point often means you should apply exposure compensation in high-contrast situations. There’s nothing especially unusual for the reason that.
When shooting in Live View mode, the 80D uses the imaging sensor to measure exposure, and it can an excellent job. However, if you’ve resulted in the brightness of the screen to handle bright ambient light, monitor the