Our VerdictMany will choose the Marshall Acton II Voice because of its charming looks, but…
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Marshall’s upgraded mid-range speaker is a powerhouse of sound tailored to those that love the feeling to be at a concert and seeing the giant iconic amps littering the stage.
Stanmore II falls right in the center of the business’s Bluetooth wall-powered speakers lineup, between your Acton II and the Woburn II.
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Building on the winning formula
The initial Stanmore speaker was well received, with an iconic sound, only held back by a slightly inflated price. Because of this incarnation, Marshall took time to boost on that which was already a robust sounding speaker like the sound quality, in addition to the feature set.
Now, the speaker could be manipulated by the Marshall Bluetooth software where multiple speakers could be coupled together right into a stereo pair. Volume, EQ, and firmware can even be adjusted from this linked app. Inputs could be cycled through, rendering it far better to go from Bluetooth to RCA and never have to approach the speaker.
Marshall also slightly updated the looks, fine-tuning the facts but keeping what worked to begin with.
Sitting at almost 14 inches wide, the Stanmore II isn’t a tiny speaker. It’ll easily fill an area using its capable sub and dual tweeters hidden behind the fabric grille. Talking about the grille, just like the giant amps scattered over the stage at a concert, Marshall’s iconic script wordmark is front and center.
Marshall Stanmore II controls
Vinyl encompasses the surface, while brass plates accent the very best and front. Unlike the initial, the knobs are actually rubberized, but nonetheless have metal caps along the most notable. Marshall replaced the beloved power toggle for a fresh spring-loaded lever with knurling added for grip, which is not a terrible trade-off.
The likely reason behind the change in the energy switch is as a result of the brand new control via the iOS app. With a physical on or off position, it couldn’t be manipulated remotely, but an lever that returns to a set position irrespective of power status could be changed in software anytime.
Marshall Stanmore II
Around the trunk of the cabinet, you will find a service port, power input, and a white/red RCA input. Very little went in to the back design of Stanmore II, but luckily it is most effective against a wall where in fact the bass can ricochet off the flat work surface.
Once you switch on the speaker for the very first time, you will likely be prompted to set up a firmware update. It takes merely a few occasions to get through and will happen every once in awhile as Marshall continues to increase the speaker.
Following the update is installed and the speaker has rebooted itself, you should use the app. The iphone app actually looks fairly sparse and can probably acquire digital dust on your own iOS device sans for the few times it will come in handy.
Marshall Stanmore II and iPhone XS Max adjusting the EQ
Once you have set the EQ to your liking, it’ll probably stay, if you don’t jump between different presets – such as for example rock, pop, etc – often. We found ourselves primarily setting a preset, but tuning it ourselves predicated on our liking.
If you eventually have two of Marshall’s newer Bluetooth speakers, the iphone app lets you couple these together right into a stereo pair. Plugging your TV in to the RCA port and wirelessly connecting to the other could prove an able – if cheap – sound system.
Marshall is definitely known because of its iconic sound – a slightly gritty, powerful profile that’s most tuned because of its genre of preference. Rock is plainly that target here. Stanmore II sounds strong, with substantial room-filling bass however, not overwhelming like speakers suitable for pop and rap.
Marshall Stanmore II and iPhone XS Max
We ran through our normal testing tunes and generally were happy with the performance. Queen’s Bohemian Rhapsody shined the most with the Stanmore II in a position to traverse the large number of musical tones through the entire song.
As we cranked the quantity to the max we began to notice somewhat of distortion but was so loud we didn’t keep it there long inside our small-medium room.
When compared to original Stanmore, you will find a definite upsurge in the fidelity of the audio. Also just like the original, the EQ isn’t incredibly substantial. The bass and treble knobs is there to flawlessly adapt the audio tracks to your liking, not for providing an enormous shift in what the speaker is with the capacity of. We like having them, but don’t believe you’ll get a floor-shaking amount of bass because you turn the knob to ten.
Coming up short
For all that people love about the Stanmore II, there are several deficits we can not easily overlook.
The packaging feels just slightly cheaper, by using a thin foam wrapper instead of the fabric dust cover included prior.
Additionally, there are no additional cables found. With their original line, Marshall included brass-accented aux cables so that it is simple to plug your devices in. To be totally fair to Marshall, many phones are actually shipping without headphone jacks causeing this to be cord unnecessary, but also for the purchase price we’ve have recommended this be thrown in.
Born to rock
Marshall Stanmore II
When compared to Woburn II, the Stanmore appears slightly overpriced – however, not by much. Woburn II just appears an improved value for everything you get. When you can swing the excess change, choose the Woburn. When you have to “settle” for the Stanmore, you will not be disappointed.
Stanmore II generates plenty of sound for some rooms, looks great with a classic retro vibe, and has excellent sound quality for a speaker in this range.
There are downsides, because so many speakers have, however, not enough to carefully turn us from this rock legend.