The Panasonic FZ1000 can be an extremely interesting camera, and one constructed with an extremely…
Best Panasonic FZ2500 Black Friday Deals
The Panasonic FZ2500 may be the company’s hottest enthusiast-grade all-in-one zoom camera, and it provides a wider and longer lens than its predecessor and also a bevy of attractive video features. The camera utilizes a 20.1-megapixel sensor paired to a 24-480mm equivalent lens that produces good overall imaging performance. The 4K-capable camera includes numerous advanced video features borrowed from the Panasonic GH4 and will be offering 4K Photo (8-megapixel JPEG images) recording at 30 fps.
May be the Panasonic FZ2500 a worthy follow-up to the FZ1000 and an excellent option for photographers looking for an all-in-one enthusiast zoom camera? Continue reading for our final word.
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The FZ2500 runs on the 20.1-megapixel 1-inch type CMOS sensor, that is a similar sensor compared to that within its predecessor and several other cameras nowadays. This sensor provides great results for the FZ2500 and is effective because of its size. The camera produces detailed JPEG images at default settings with vibrant, saturated colors. The camera shoots RAW files aswell, providing additional overall flexibility for exposure, sharpness and noise characteristics.
Exposure and white balance results for the FZ2500 were impressive, typically showing accurate color and exposure metering even in harsh lighting conditions, however auto white balance tended to be on the warm side. For resolving power, the camera delivered around 2,500 lines of strong detail, which led to slightly soft images with good detail plus some obvious sharpening artifacts. You may bring out additional detail with good RAW processing, however.
In comparison to its predecessor, the FZ1000, the FZ2500 offers similar image quality, which is to state that images are good, showing a clean, crisp image with pleasing contrast and colors. When compared to Canon G3X and Sony RX10 III, the Panasonic compares very favorably, yielding better images than both opponents at higher ISOs. The difference at base ISO is less apparent, and the Sony does perform better with this lab’s red-leaf fabric, which always poses a significant challenge to cameras.
When contemplating the Panasonic FZ2500 inside our print quality analysis, the FZ2500 performs in addition to we’d expect for a 1″-type sensor camera. A 24 x 36 inch print looks great at base ISO, and you might even escape with a 30 x 40 print if it were viewed from a distance, as this size does test the limits of the sensor. Up through ISO 1600, you may expect good print quality with acceptable detail at sizes as large as 11 x 14, and 8 x 10 prints build up to ISO 3200. At these higher ISOs, noise and softening become a lot more noticeable, and ISO 6400 and 12,800 will demand reasonably terms and conditions sizes, while ISO 25,600 isn’t usable at all.
Built-in lens offers 20x optical zoom but arises short in the corners
When compared to FZ1000, the FZ2500 offers more zoom range. The Panasonic FZ2500 includes a 24-480mm equivalent lens (8.8 – 176mm actual focal length) for a 20x optical zoom overall, when compared to 16x zoom of the FZ1000. The FZ2500’s aperture range is f/2.8-4.5, which is pretty fast at the wide end rather than bad at the telephoto end.
The lens includes a new optical design, including yet another component compared to the FZ1000’s lens, and gleam new aperture mechanism that uses nine blades when compared to seven blades of its predecessor. The FZ2500 has been engineered with bokeh at heart and the camera produces an extremely pleasing out of focus area.
Panasonic FZ2500 video: 4K quality is great, offers plenty of video features
Like many recent Panasonic cameras, the FZ2500 can record 4K video, but that isn’t all of the tricks it has up its sleeve. In lots of ways, the FZ2500 is an identical to the Panasonic GH4 with regards to video features. In comparison to its predecessor, the FZ2500 now carries a headphone jack, 30fps 4K UHD video recording (versus just 25fps), a DCI 4K (4096 x 2160) recording option, 10-bit 4:2:2 output via HDMI (in comparison to 8-bit), simultaneous 8-bit internal and external recording, unlimited video recording duration, 200MBps All-I capture and more.
Video quality itself is impressive. 4K video is sharp, especially at lower ISO settings. You can record video up to ISO 6400, which remains usable for most applications, but is noticeably softer and noisier than video recorded at lower ISOs.
On this issue of the zoom, the same focal length range changes to 36-720mm when recording 4K UHD video because of the crop factor. The zooming action itself became very smooth because of the initial camcorder-inspired design of the FZ2500’s contact lens. When zooming from wide to the utmost focal length, the image barely shifts and remains steady. Furthermore to smooth zooming, handheld video recording is feasible because of good image stabilization.
4K video doesn’t provide all of the fun, however, as Full HD video includes its own group of interesting features. You can switch between slow or quick motion video during recording, employ an electronic dolly zoom, use 4K Live Cropping and more.
Mostly of the downsides we found with the FZ2500 and recording video was slow autofocus performance at telephoto focal lengths. Panasonic’s DFD autofocus technology worked mostly well for still images, however the camera will hunt at longer focal lengths, which is often distracting during video recording.