Best Panasonic FZ300 Black Friday Deals 2020

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FZ300 Summary
The Panasonic FZ300 increases after the FZ200 in various ways while building after the same tried-and-true 12.1-megapixel sensor and 24-600mm equivalent f/2.8 lens. The redesigned body, improved EVF, and better tilting display really help the FZ300 handle well out in the field. With good imaging performance because of its class, this 4K-capable camera is up to the duty to be a versatile multimedia camera and proves to become a great performer and a straight better value.

Pros

Good image quality because of its class; Improved ergonomics; Impressive new EVF and rear display; Versatile 24-600mm equivalent f/2.8 lens; Faster autofocus performance; 4K video and 4K Photo features.

Cons

Bulky camera body; Excessive default noise reduction applied at lower ISOs; Continuous autofocus performance is inconsistent.

Review

Back 2012, Panasonic got long-zoom fans’ pulses racing with the Lumix FZ200, a camera that paired a mighty 24x optical zoom range with an impressively-bright f/2.8 frequent aperture. Now, it returns with the Panasonic FZ300, a camera which takes the very best of its Dave’s Pick-winning predecessor — like the actual same lens — but which brings the look right current and resolves nearly all our criticisms of the sooner model.

Just as in its predecessor, the 12-megapixel Panasonic FZ300 sports a 1/2.3″-type image sensor, but it’s now paired to a current-generation Venus Engine image processor. That change brings with it a half-frame per second upsurge in performance with autofocus enabled, according to Panasonic. You need to be in a position to extract six fps at full resolution with autofocus enabled, or just as much as 12 fps with focus locked between frames. The brand new processor’s better quality noise processing in addition has allowed Panasonic to accomplish away with the idea of extended sensitivity, making the complete ISO 100 to 6400-equivalent range available by default.

The Panasonic FZ300 retains the SLR-like styling of its predecessor, but its body is merely just a little larger and heavier, having grown by some 0.2 to 0.3 inches in every dimensions, and gained around 3.6 ounces (17.5%) of extra mass. There’s a good reason behind this, though, and it’s really one which can make the FZ300 a more versatile camera than its predecessor, specifically for sports and nature shooters who’ve to manage the elements. The FZ300’s body is completely new, and the as the addition of some new controls, it is also been fully splash and dust-proofed!

As the imaging pipeline is pretty similar compared to that of the sooner camera, the electronic viewfinder and LCD monitor have both received a substantial overhaul. The EVF is currently both higher-resolution and, with a 0.7x magnification, yields a much bigger image compared to the 0.46x finder of the FZ200. Contrast ratio of the brand new finder’s Organic LED display is reported to be 10,000:1, and it now carries a proximity sensor which allows it to be enabled (and in the event that you choose, autofocus started automatically) once you raise it to your eye.

And the tilting 3.0-inch LCD monitor also now has a higher resolution, brighter panel that needs to be much easier to see in sunlight. For bonus points, it even carries a touch-screen overlay that lets it be utilized to choose subjects for focus, control menus, and more. (You can also utilize the LCD monitor as a quasi-touch pad for selecting the focus point while framing through the viewfinder, that is a pretty cool feature.)

Whenever we reviewed the FZ200, we noted our desire to have better autofocus at longer focal lengths, and that appears to have already been improved aswell, though we no more have an FZ200 to compare to. Panasonic has gifted the FZ300 with a brand-new Light Speed AF-branded autofocus system including Depth From Defocus technology. It now operates doubly fast, at a refresh rate of 240 fps, and includes predictive autofocus algorithms, changes that the business says allows a doubling of tracking performance. And low-light AF — a location we already designated as impressive in the last camera — has further improved, with Panasonic claiming that the Lumix FZ300 is now able to focus in starlit conditions completely down to -3EV.

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