Best Sony A6500 Camera Black Friday 2021 and Cyber Monday Deals

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Our Verdict
The A6500 can be an oddity. It’s a street-style camera with sports-camera performance and high-end 4K video capabilities, and it just feels the incorrect form for the items it’s designed to prosper. Worse still, it’s been overtaken by recent rivals, and it’s really needs to look expensive.

In-body stabilisation (finally!)
Highly complex AF system
Great buffer depth in burst mode
Exterior controls could possibly be better
8fps now rather average
Awkward handling with big lenses
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Introduction and features

Sony now offers three A6000-series cameras, namely the A6000, A6300 and A6500. The A6000 continues at an extremely competitive budget price, despite the fact that it’s actually quite advanced by today’s standards. It doesn’t shoot 4K video though, and it doesn’t have Sony’s newer 425-point autofocus system, two features that Sony did use in the subsequent A6300.

Read more:
• The very best mirrorless cameras
• The very best Sony cameras in 2019

The newest A6500, meanwhile, boasts 5-axis in-camera SteadyShot image stabilisation and a huge upsurge in buffer capacity along with the above, with the same maximum 11fps continuous shooting speed as the sooner models, but the capability to persevere for 307 JPEG files or 107 Raw. This sounds impressive in writing, but how does the camera perform all together?

24.2MP APS-C Exmor CMOS sensor
4K UHD at 30, 25, 24fps
5-axis body-based image stabilisation
ISO 100-25,600 (exp. to 51,200)
425-point phase-detect AF, 169-point contrast-detect AF
11fps burst shooting (269 JPEG, 107 Raw)
30-1/4,000sec, bulb
3in tilting touchscreen, 922k dots
XGA OLED viewfinder, 2.36million dots
Memory Stick/SD/SDHC/SDXC, UHS I
453g (body only, with battery and memory card)
120.0 x 66.9 x 53.3mm

The A6500’s magnesium alloy, rangefinder-style body is compact and robust, with seals around the buttons for dust- and weather-resistance, and a double-layered design for tightly interlocking panels.

The 24.2MP Exmor APS-C CMOS sensor gets the same resolution as the sooner models, but it’s paired up with a fresh front-end LSI and Sony’s BIONZ X image processor to create this camera’s impressive speed and performance. That is also in charge of Full HD movie capture at up to 120fps, along with what Sony claims gives outstanding texture, clarity and sharpness in images, with low noise. In addition, it allows for a rise in maximum sensitivity up to setting equal to ISO 51,200.

The A6500’s autofocus system is powerful and advanced. It runs on the combo of 425 phase-detect AF points over the complete image area and 169 contrast-detect AF points. Sony says its high-density AF point array can seamlessly activate AF points to track objects around the frame.

You can also utilize the Touch Focus feature, whereby you tap on the touch-sensitive screen to create the focus point or drag the focus point around the screen while looking through the viewfinder, a thing that several cameras with touchscreens now offer.

Guide: Best Sony lenses

This AF system also works together with Sony Alpha lenses via the LA-EA3 adaptor, with all 425 phase-detect AF points available. This can help you migrate easier from Sony’s older, and today largely unloved, Alpha SLT camera system.

Two continuous shooting modes are also available. The speediest mode, dubbed Hi+, shoots at 11fps, however the slower 8fps Live View mode provides smoother and more regular Live View image.

The in-camera 5-axis SteadyShot image stabilisation system may very well be one of the primary draws for the A6500 over the sooner A6300 and A6000, and Sony claims this offers 5 stops of camera-shake compensation. Not absolutely all of Sony E-mount lenses have optical stabilisation built-in, so the fact that is now contained in the camera itself is an extremely welcome move.

The A6500’s 4K video features are specially impressive. To keep up maximum image quality it uses oversampling instead of pixel binning; the video is in fact captured at the same as 6K (20MP) resolution and down-sampled to 4K for better detail.

Video recording also advantages from the A6500’s Touch Focus feature and 5-axis in-body stabilisation, and it could shoot in S-Gamut/S-Log modes. The S-Log3 and S-Log2 gamma curves give a wide dynamic range up to claimed 1300%, as the S-Gamut mode includes a particularly wide colour gamut. It’s the video exact carbon copy of Raw files in stills photography, so that it means you need to perform post-shoot colour grading on a computer to reach at a realistic-looking result. The A6500 has a Gamma Display Assist option for viewing footage with all the S-Log modes, however, to create it {much easier to|be

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Black Friday Deals and Cyber Monday Sales Discount 2020
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