The DLP-based Acer H7550ST ($999) gives a constellation of features-including 1080p (1,920-by-1,080) resolution, a 3,000-lumen…
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New image optimization settings in conjunction with excellent video and data projection quality make the VPL-FHZ75 a prime contender among commercial projectors in its class.
Unique environmental control of image options predicated on location.
Very bright 6,500-lumen image from a comparatively small and lightweight projector.
Excellent mounting overall flexibility with comprehensive vertical and horizontal lens shift, 1.6x contact lens, and correction of both keystone and curvature distortions.
No provision for accepting 4K or 3D signals as is situated in some current WUXGA projectors, which might be an issue in a few applications.
Despite the features of a range of single-button function selections, handy remote control is somewhat cluttered and does not have any backlight.
Input lag is high enough that only everyday gaming could be accommodated.
Sony has been around the 3LCD laser projector space for a lot more than six years, and their latest offering, the VPL-FHZ75, increases the state-of-the-art with new menu selections that customize the image for the projection environment. This new “Intelligent Setting” function provides options for classrooms, museums, and entertainment venues that modify projection factors such as for example brightness, contrast, color balance, and fan noise to provide a graphic its best search for that environment while providing better control over operating costs. The changes among the settings are subtle, but we found them effective in matching the viewing experience to the environment.
Most 6,500-lumen projectors are larger and heavier compared to the VPL-FHZ75, and that difference will be most appreciated when ceiling mounting this projector. Once mounted, the VPL-FHZ75 provides installer the most comprehensive toolbox of image positioning and adjustment options I’ve seen. Of particular interest may be the very broad range of motorized lens shift capabilities: -5% to +70% vertically and ±32% horizontally. Add a 1.6x motorized contact lens, and obtaining the image devoted to the screen is assured despite having substantial mounting errors.
The VPL-FHZ75’s list price of $11,000 is fairly competitive with current laser projector offerings in its 6,500-7,000 lumen class, and it boasts excellent image quality. Actually, I came across the video picture to be evenly saturated with excellent rendering of flesh tones. Highlights and shadows looked natural, and data images were similarly engaging. These characteristics makes the VPL-FHZ75 an outstanding choice for conference rooms, museums, houses of worship, higher-ed classrooms, image clubs, and other large venues where viewers demand a bright, high-resolution, and color-accurate image.
Native high-definition imagers. WUXGA (1920×1200) resolution.
Long-life Laser SOURCE OF LIGHT. Illumination system life is specified at 20,000 hours in Standard mode.
High Brightness, 3LCD Design. Our test sample delivered its rated 6,500 lumens in Brightness Optimized mode with equal color and white brightness.
No Rainbow Artifacts. Like all three-panel LCD designs, the VPL-FHZ75 shows no rainbow artifacts that may appear on some single-chip DLP projectors with a color wheel.
Short Throw. A 100-inch image could be projected from as close as 9 feet, 9 inches from the screen, and total image size ranges from 30 to 300 inches.
Image Positioning Flexibility. Vertical lens shift of -5% to +70% and horizontal shift of ±32%, together with the 1.6x zoom, provide overall flexibility of placement and accommodation for mounting errors.
Image Distortion Correction. For all those circumstances where in fact the projection surface isn’t flat, the VPL-FHZ75 provides corner and curvature correction.
Dual Display. Video and computer images could be displayed side-by-side at the touch of a button.
Extensive On-Screen Menu. While there are seven menus covering from image controls to networking parameters, they are arranged in a logical order and so are relatively simple to navigate.
Intelligent Setting. Image settings could be optimized for certain requirements of a specific projection location.
Interchangeable Lenses. Four bayonet lenses are for sale to different throw distances.
Reality Creation. Signals that are significantly less than pristine could be cleaned up regarding noise and edge quality using Sony’s Reality Creation controls.
Alternate Versions. Obtainable in either black or white as the VPL-FHZ75B and VPL-FHZ75W; or as the VPL-FHZ70 with 5,500 lumens rated brightness and similar features.
The VPL-FHZ75 arrived of the box with a stunning video image in Standard mode. Dynamic mode had slightly higher contrast, but there is a pale blue tint to the image, and Brightness Optimized mode had the most common green tint linked to the highest brightness setting of all projectors. Colors were sensible, and proper saturation was evident across the complete image. With hook boost on the other hand and a corresponding decrease in brightness, shadow detail was enhanced, and highlights were rendered with precision. Flesh tones looked natural, and much like all 3LCD projectors, there have been no rainbow artifacts that sometimes plague DLP projectors with a color wheel. Furthermore, background figures and scenery had more definition than a great many other projectors in this class.
To judge the result of the Intelligent Setting control, we varied the viewing environment by opening/closing shades, turning on interior lights, and varying background noise. Switching between your four Location choices (Meeting/Classroom, Museum, Entertainment, and Multi-screen) produced surprisingly effective changes in the VPL-FHZ75’s brightness, Eco modes, fan noise, and other parameters. We were holding not dramatic variations, nevertheless they were detectable with each change, plus they definitely custom-made the viewing experience with the easy touch of a menu item. They should give a good starting point-if not end point-for installers performing setup in these environments.
Data projections looked best in Dynamic mode with good resolution of small fonts, even at full keystone correction. The image showed no digital artifacts and was sharp from edge-to-edge with a lot of pop. Even architectural drawings were clear and crisp because of the remarkably fine inter-pixel gaps of the VPL-FHZ75’s LCD panels.
Sony’s Reality Creation scaling and noise reduction technology, formerly developed because of its consumer TV displays, is reputable for its capability to tune less-than-ideal content. With a vintage and noisy VHS tape playing as the foundation, I engaged Reality Creation and the result on noise reduction was immediate and effective. It had been also simple to sharpen the image using the Resolution slider. It might not exactly have turned that old VHS recording right into a DVD equivalent, nonetheless it did noticeably increase the quality of the image.
The dual-screen projection option was particularly effective because, unlike many projections with picture-in-picture capabilities, the VPL-FHZ75 allocated equal screen space to both images, one from a video source and the other from a computer. I ran a visual tour of museum paintings on half the screen with notes about each painting scrolling on the spouse. Both images were large enough and sharp enough to make sure satisfying visibility.
Fortunately, you mostly handle VPL-FHZ75’s menus and handy remote control during initial installation and setup. The menus are relatively complex, but could be navigated fairly easily being that they are generally segregated by function. Some care is necessary with the nested menus, but they are limited in number, and the glad tidings are that menus stay on-screen longer than usual and invite more time to navigate. The full-sized remote, meanwhile, offers a whole lot of one-button selections to access key settings, but nonetheless offers up a cluttered array that’s sometimes cumbersome to manage. It is also tougher to utilize the remote in a darkened room because it has no backlight.
The VPL-FHZ75’s Intelligent Setting feature optimizes settings for seven different image parameters predicated on the intended location.
Naturally, the installer can do his/her better to get the VPL-FHZ75 mounted in order that its image is matched to the screen position, but errors are inevitable. Since ceiling mounting is probable because of this class of projector, mounting errors could be problematic without the capability of powered controls such as for example zoom, focus, and lens shift. That’s where the VPL-FHZ75 separates itself from some opponents with manual lens controls. Plus a long zoom ratio (1.6x), this projector gets the widest selection of lens shift we’ve ever encountered. Horizontal shift is ±32%, and vertical shift ranges from -5% to +70%, which nearly guarantees perfect image alignment.
Be aware, though, that there surely is a modest effect on image brightness as you move the image from its center position. For our sample, full horizontal shift decreased brightness by -10%, and full vertical shift led to a -16% decline. They are not earth-shaking percentages, nonetheless it is worth noting that there surely is a little cost to cover extreme lens shifting